Continuing on from the build in Chapter 1 way back in 2020, it has since been primed with Tamiya’s rattle can red oxide fine surfacer. It's a perfect foundation for German armour, especially if you fancy employing the hairspray technique.
Letting the paint cure for an hour I set about carefully agitating the hairspray underneath with H20 and my selection of chipping tools. As most surfaces only received a light coating of the above mixes of paint I could still maintain a decent degree of control over the minor scratches, scuffs and scrapes that I applied.
Various raised detail components of the model such as outer hatch plates, handles, rivetsc and fixings, were brush painted with Vallejo Acrylic mixes of buff, yellow, and sand colours, to give some tonal variation to the surface detail.
Once fully assembled I cleaned the tracks carefully with a toothbrush and soapy
water and after letting them dry overnight I used Solid Scale Solid Track
burnishing fluid for the first time.
It only took a 2–3-minute dip for the tracks to change to a nice dark, dirty grey colour. A perfect tone to start off with. After cleaning off any remaining fluid agent in soapy water, then rinsed and dried with a hair dryer, they were treated to various enamel washes. To start the next stage of weathering they were speckling with acrylic and pigments mixes.
Initial weathering steps on the tracks
The next step was one I hadn’t tried before. Adam Wilder painted a Ferdinand and on his blog stated that - after applying the colour modulation technique, although pleased with the contrast obtained, he felt that he no longer had the desired dark yellow hue he was aiming for. This he corrected by airbrushing a very thin clear coat of Tamiya X-24 over the model. This has the effect of re-establishing the yellow tone to the base coat. As I really liked the effect he acheived this was a perfect opportunity to see how this worked in practice.
The Balkenkreuz and tank number decals were added, then with a 50% mix of X-24 and Tamiya acrylic thinners, I proceeded to airbrush the whole model with a light covering. Once dry I was very pleased with the results.
A pin wash was then applied with a fine brush, This consisted of various Abteilung 502 brown toned oil paints thinned with their odourless turpentine.

Excess oil wash blended out
Three images highlighting how the yellow clear coat can subtly alter the appearance of the finish under different lighting conditions.







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